Space - Exhibition Opening
"Space" (or "halal" in Hebrew) refers both to physical space and to the void left by loss. In this exhibition, Omer Itach reflects on the memory of his brother, Captain Harel Itach, who fell in the Iron Swords War, exploring spaces filled with presence and absence.


זמן ומיקום | Time & Location
27 באפר׳ 2025, 19:30 – 22:30
תל אביב-יפו, אידלסון 29, תל אביב-יפו, ישראל
פרטים | Information
The generic elements of architectural space—such as doors, ceilings, and floors—remain silent and unassuming on the surface. They strive to reflect the events that unfold within them through the language with which we describe them. However, these elements transform from mere signs and lines on a blank page into a narrative space. This space tells a story through its users, with a beginning and an end conveyed through their interactions.
The dual meaning of the term "space" is central to the exhibition. It encompasses both a physical space and the absence created by the death of a loved one. The works on display showcase a space-adapted development by Omer Itach, who graduated from the Technion with a degree in architecture. During his final year of study, Omer lost his brother, Captain Harel Itach. This tragic event inspired Omer to direct his research toward personal mapping—a practice he employs to cope with and explore the void left in his life by his brother's death.
In the exhibition, Itach aims to explore the layers of physical spaces imbued with significant personal memories. He focuses on the silent spaces reflected through the voice and story of his brother. This exploration includes examining the last places where his brother lived: their childhood home, Kibbutz Nahal Oz, Khan Yunis, and Soroka Hospital, where he died from his wounds. The artworks highlight the contrast between the randomness of these locations and the profound meaning they acquire after his brother's death. Itach believes that this intersection is where architectural elements shift from being universal and generic to becoming part of a personal narrative. He invites visitors to engage with these spaces—to look through the windows, enter through the doors, and peek into areas filled with memory and deep personal significance.